The Plumber: A Psychological Thriller by Peter Weir
Have you ever wondered who is behind the pipes in your apartment? What if they are not there to fix them, but to mess with your mind? That is the premise of The Plumber, a 1979 Australian film by Peter Weir, who later became famous for movies like The Truman Show and Dead Poets Society.
The Plumber tells the story of Jill (Judy Morris), a grad student in anthropology, and her husband Brian (Robert Coleby), a doctor working for the World Health Organization. They live in a university apartment complex, where one day they receive an unexpected visit from Max (Ivar Kants), a plumber who claims he needs to do some routine maintenance on their pipes. Jill lets him in, but soon regrets it, as Max starts to chip away at the tiles, take showers, and make a mess of their bathroom. He also becomes increasingly intrusive and menacing, subjecting Jill to a series of bizarre mind games and harassment. Brian, who never sees Max, dismisses Jill’s concerns as paranoia. As Max’s behavior escalates, Jill begins to question her own sanity and reality.
The Plumber was originally made and broadcast as a television film in Australia in 1979, but it was later released to theaters in several countries, including the United States in 1981. The film was based on two real-life incidents that Weir experienced or heard about: one involving his friends who were tormented by an incompetent plumber, and another involving a cab driver who expressed fascist and pro-war sentiments. The film explores the themes of class conflict, social alienation, and the breakdown of communication. It also creates a sense of suspense and dread with minimal violence and gore.
If you are looking for a psychological thriller that will keep you on the edge of your seat, you might want to check out The Plumber. It is available on DVD and online streaming platforms. Just be careful whom you hire to fix your home.
The film reaches its climax when Jill decides to confront Max and demand that he leave. She follows him to his car, where she discovers that he has been living in it. She also finds a tape recorder with recordings of their conversations, which he has been playing back and editing. Max reveals that he is not a plumber at all, but a former sociology student who dropped out and became fascinated by the lives of the upper class. He admits that he has been conducting a social experiment on Jill, trying to break down her defenses and expose her true self. He also claims that he has done this to other people before, and that he has a list of potential targets. He invites Jill to join him in his project, saying that they are alike and that she is bored with her life. Jill rejects his offer and runs back to the apartment, where she finds Brian waiting for her. She tells him everything that happened, and he finally believes her. They call the police, but Max has already left. The film ends with a shot of Max driving away, looking for his next victim.
The Plumber is a film that explores the psychological effects of invasion, manipulation, and isolation. It also examines the contrast between the rational and the irrational, the civilized and the primitive, and the privileged and the marginalized. The film uses minimal music and sound effects, relying on the dialogue and the ambient noises to create tension and atmosphere. The film also employs a handheld camera style, giving it a documentary-like feel. The film has been praised for its performances, especially by Ivar Kants as Max, who creates a complex and charismatic character who is both charming and terrifying. The film has also been compared to other works by Peter Weir, such as The Cars That Ate Paris and The Last Wave, which also deal with themes of culture clash and paranoia.
The Plumber is a film that will make you think twice about who you let into your home. It is a film that will challenge your assumptions and expectations. It is a film that will haunt you long after it ends.